Trade Marks & Copyright 2025

Last Updated February 18, 2025

Netherlands

Law and Practice

Authors



Greenberg Traurig, LLP is an international law firm with approximately 2,750 attorneys serving clients from 48 offices in the United States, Latin America, Europe, Asia and the Middle East. The practice in Amsterdam is built around IP specialist Radboud Ribbert. The team frequently advises and represents companies and individuals on matters involving European IP law, such as patent rights, trade mark rights, neighbouring rights and copyrights.

In listing the laws that govern trade mark and copyright in the Dutch jurisdiction, a distinction must be made between Dutch laws and Benelux and EU regulations and directives. 

The laws that govern trade marks and copyrights in the Netherlands are the following:

  • Nationally, the “Copyright Act” (Auteurswet) is the largest statutory regime. This act is nationally applicable and protects creators of literary, scientific, or artistic works against copyright infringement.
  • Second, there is the “Trade Name Act” (Handelsnaamwet), which protects companies against other persons using their company name.

The Benelux Convention on Intellectual Property (BCIP) is applicable in the Netherlands for the prosecution and protection of Benelux trade marks.

Under EU law, the Netherlands is also subject to the following regulations and directives:

  • Directive (EU) 2019/790 (“DSM Directive”) on copyright and related rights in the Digital Single Market;
  • Directive (EU) (“Rental and Lending Directive”) on renting and lending rights and on certain rights related to copyright in the field of intellectual property;
  • Directive (EU) 2001/29 (“Infosoc Directive”) on the harmonisation of certain aspects of copyright and related rights in the information society;
  • Directive (EU) (“Resale Directive”) on the resale right for the benefit of the author of an original work of art;
  • Directive (EU) 2001/84 (“Satellite and Cable Directive”) on the coordination of certain rules concerning copyright and rights related to copyright applicable to satellite broadcasting and cable retransmission;
  • Directive (EU) 2004/48 (IPRED) on the enforcement of intellectual property rights;
  • Directive (EU) 2006/116 (“Term Directive”) on the term of protection of copyright and certain related rights amending the previous 2006 Directive;
  • Directive (EU) 2012/28 (“Orphan Works Directive”) on certain permitted uses of orphan works;
  • Directive (EU) 2019/789 (“Satellite and Cable II”) on the exercise of copyright and related rights applicable to certain online transmissions of broadcasting organisations and retransmissions of television and radio programmes;
  • Digital Services Act Regulation (EU) 2022/2065 (“DSA”), which has bearing on the protection of copyrights and trade mark rights in the digital space; and
  • Regulation (EU) 2017/1001 (“Trade Mark Regulation”) on the European Union trade mark.

The Infosoc Directive and DSM Directive are implemented in the Dutch Copyright Act. In addition, the BCIP and Trade Mark Regulation contain almost identical provisions concerning the issues discussed in this chapter.

The Netherlands is also party to:

  • the Berne Convention, which harmonises certain aspects in relation to copyright and related rights;
  • the Trade Mark Law Treaty, which provides for a harmonisation of the trade mark registration process internationally;
  • the Madrid Agreement, which is a protocol that allows for international registration of trade marks;
  • the TRIPS Agreement, which sets out the minimum standards of protection to be provided by each member;
  • the WIPO Copyright Treaty; and
  • the WIPO Performances and Phonograms Treaty.

All of these treaties, conventions, and agreements are self-executing.

The Netherlands recognises word marks, figurative marks, figurative marks with word elements (eg, logos displaying the brand name), shape marks, colour marks, sound marks, pattern marks, position marks, hologram marks, motion marks, and multimedia marks.

In addition, it is possible to register certification and collective marks. Certification marks set out the standard for being able to use the mark. Collective marks can only be held by public law entities (eg, geographic indicators).

Industrial designs are generally precluded from trade mark protection insofar as they are used to protect a purely functional design. However, there are limited exceptions to this rule of thumb. For instance, the display of a Lego block on watches has been deemed valid by the Court of Justice of the European Union (CJEU).

The Netherlands has exclusively designated the use of certain titles by statute. Primary examples of this are terms such as “Koninklijke” (“royal”) and the designation of a “Ridder” (“Sir”).

The Netherlands does not protect marks that are famous outside the jurisdiction but are not yet in use within the Netherlands. However, rights-holders of trade marks that are well-known in the Benelux or elsewhere in the EU may oppose a trade mark application or start a cancellation proceeding against a registered trade mark for the same or confusingly similar sign and goods or services.

In order to register a trade mark in the Benelux or European Union, the application must withstand relative and absolute grounds for protection. Relative grounds include whether there is a prior registration that could conflict with the relevant mark. Absolute grounds focus on the inherent characteristics of the trade mark. The most important threshold is that the trade mark must be distinctive. The acquiring party only has a duty to prove or remedy a lack of distinctiveness if the registering office determines that this threshold is not met. The factors to be considered in the assessment of distinctiveness are as follows:

  • The trade mark should be capable of identifying the products and/or services offered by the company as distinct from those offered by other companies.
  • This assessment must be made concerning the goods and/or services offered by the company. The perspective of a “reasonably well-informed and reasonably observant and circumspect” consumer of the respective goods and services is taken into account.

Trade mark owners have the right to exclusive use of the trade mark, including to authorise or prohibit others from using the trade mark. In addition, the trade mark owners can address unauthorised users by filing injunctions and/or claiming damages. These rights are outlined by the BCIP and the Trade Mark Act. These rights persist throughout the term of a mark.

The BCIP and the Trade Mark Act have incorporated an anti-circumvention right through the absolute grounds for protection, which precludes registration of trade marks with an essentially technical function.

In the Netherlands, the protection of trade marks can only be derived from the registration thereof. However, it is possible to lose the registration of a trade mark if it is not used for a period of five years. Use in this sense is defined as “genuine use”. Genuine use is the use of the trade mark to market or sell the products and/or services for which the trade mark is registered. 

The use of a symbol to denote that a mark is registered is not necessary and has no legal effect under Dutch and European trade mark laws.

It is possible for trade marks to be protected by copyrights or related rights if they meet the respective thresholds. In case of copyright protection, this requires that the logo is sufficiently creative and that the work is the author’s own intellectual creation. Another possibility is that the trade mark is protected by local trade name laws. In the Netherlands, the Trade Name Act protects names used in business operations. Notably, registration is not required to receive protection for a trade name.

Virtually any type of work can be protected by copyright so long as the thresholds for copyright protection are met. The categories are therefore limitless. Industrial designs can be protected by copyright protection and can also separately enjoy the protection of a design right. However, in either case the appearance may not exclusively be dictated by a technical function. 

First, the work must be original in the sense that it is the author’s own intellectual creation. Second, the work must be the expression of such author’s own intellectual creation. Third, the work must be identifiable with sufficient precision and objectivity, even though that expression is not necessarily in permanent form.

Authorship is not defined by statute. The thresholds have been shaped by case law and are further explained in 3.2 Essential Elements of Copyright Protection. When an employee creates a work eligible for copyright protection within the scope of their job description, the copyrights in such work vest in the employer by operation of law. Authorship necessitates human effort, and the extent of this requirement is a topic of ongoing debate, especially concerning works created by AI. Ultimately, this subject will likely be crystalised by CJEU case law.

An author can claim authorship pseudonymously, but not anonymously. As further explained below, copyright-protected works cannot be registered. Therefore, in practice, the only reason to claim a copyright is to halt infringers. In order to do so, the burden of proof is on the author to prove they hold the copyright. This is impossible when the author is anonymous.

As to joint authorship, there are two situations in which this can arise:

  • two or more parties co-create a work with a divisible share in the work; or
  • the share in the work cannot be divided.

In the first scenario, each party may fully exploit their rights in their own share but need permission to exploit the work as a whole. In the second scenario, parties will always need each other’s permission in order to exploit the rights in the work.

The copyright owner holds the rights to reproduce the work and to communicate it to the public. These rights are outlined both by the Infosoc Directive and the Dutch Copyright Act.

The Netherlands recognises moral rights within copyrighted works. The moral rights granted under the Dutch Copyright Act include:

  • the right to oppose publication of the work without mention of his/her name or other designation as maker, unless the opposition would be contrary to reason;
  • the right to oppose the publication of the work under a name other than his/her own, as well as the making of any alteration in the name of the work or in the indication of the maker, insofar as these appear on or in the work, or have been made public in connection therewith;
  • the right to oppose any other change to the work, unless this change is of such a nature that opposition would be contrary to reasonableness; and
  • the right to oppose any deformation, mutilation, or other impairment of the work, which could be detrimental to the honour or name of the author or to his/her value in this capacity.

These moral rights are generally inalienable, meaning they cannot be transferred to others. However, the right of withdrawal may be waived in certain circumstances.

Synchronisation rights are not recognised by statute, but are granted value in practice, for instance, through exploitation agreements between music creators and publicists.

The right stemming from the act of authorship grants a lifelong entitlement, extending to 70 years posthumously. This applies to all copyright-protected works.

The owner’s rights in the copyright-protected work are not tied to a registration. Therefore, the only way for an owner to lose such rights is by transferring, assigning or licensing away their rights.

Article 30a of the Dutch Copyright Act holds that the Dutch Minister of Justice may appoint a collective rights organisation to mediate between music authors and publishing companies or other parties who wish to exploit the music. The designated organisation goes by the name of BumaStemra. BumaStemra is a nonprofit organisation. While authors are not obligated to engage BumaStemra’s services, the establishment of another organisation with similar or overlapping functions is prohibited under Dutch law.

Under Dutch and EU laws, it is not possible to register a copyright.        

The Dutch and EU law systems do not maintain a register for copyrights.

There is no register of copyrights under Dutch or EU laws, therefore such registrations would not arise.

Copyright-protected works can simultaneously be protected by trade mark rights, database rights, design rights, and other related rights, such as through tort claims.

Trade mark rights can only be acquired through registration of the mark either with the Benelux Office of Intellectual Property (BOIP) for Benelux coverage or the EU Intellectual Property Office (EUIPO) for coverage in all EU member states. Trade mark rights cannot be derived from mere usage thereof. However, if a trade mark is not genuinely used for an uninterrupted period of five years, it can be invalidated. The process for registering trade marks is generally the same for each type of trade mark with the exception of certification or collective marks.

There are two relevant trade mark registers that apply to the Netherlands: (i) the BOIP trade mark register for registrations in relation to the Benelux; and (ii) the EUIPO trade mark register for registrations pertaining to all EU member states. These registers are both publicly available on the respective office’s websites. These websites do not uphold different types of registers on their websites, but only one central searchable register for all trade marks. The above registers should be consulted before applying for registration of a trade mark.

The term for registration is ten years, which can be extended indefinitely for additional ten-year periods. Trade mark owners will have six months to renew their registrations after the terms have lapsed. However, it is possible and recommended to file for renewal in the six months preceding the expiration of the trade mark to prevent late fees.

If the trade mark expired and is past the six-month revival period, the only way to retrieve the trade mark registration is by reapplying for registration. It is not possible to update a trade mark registration without applying for a new trade mark registration.

The process of applying for a trade mark is fairly straightforward. The BOIP and EUIPO registers offer an online form, which must be completed. The required fee must be remitted before the registration is taken into consideration by the examiners. The examiners will then inform you if the application meets the absolute and relative requirements. If so, the application will be published in the register. Once the application is published, interested parties will have two (BOIP) or three (EUIPO) months to oppose the application. After these two or three months, if no oppositions have been received, the trade mark will be registered.

It is possible to apply for multi-class trade mark applications. The applicant will only need to provide the sign that it wishes to protect – no other materials are provided. The filing fees for the BOIP are EUR244 for a regular application and EUR440 for an accelerated application. The online filing fees for the EUIPO are EUR850, for the second class an additional EUR50 is required, and for the third and more classes the costs are EUR150 per class.

Anyone can register for a trade mark. There are no required qualifications for registering a trade mark.

There is no requirement that an applicant use its trade mark in commerce before the registration is issued.

The BOIP and EUIPO offices evaluate the relative grounds for protection of a trade mark by considering existing prior rights that predate the trade mark application. This assessment includes not only prior trade marks within the same jurisdiction but also rights of local significance, such as trade name rights. Owners of these prior rights are entitled to challenge a trade mark application by presenting various forms of evidence to support their claim.

During the application process it is possible to revoke, change, amend or correct the trade mark application. This can relate to material alterations, such as the applicable classes or the mark itself. It is important to note, however, that while narrowing the scope of the application is permissible, broadening it is not allowed.

It is possible to divide trade mark applications. This requires an application to divide the application. The application must be filed in writing in accordance with the respective form, which is provided on the website of the BOIP and EUIPO. The administrative fee for division is EUR250.

Providing incorrect information could result in the invalidation of a registration or rejection of an application. However, in practice, if the incorrect information was provided inadvertently, the examiner will provide an opportunity to correct the information. 

Grounds for Trade Mark Registration Refusal

A trade mark registration can be refused based on the following absolute grounds. 

Lack of distinctiveness

A trade mark must be capable of distinguishing the goods or services of one undertaking from those of other undertakings. If a mark lacks distinctiveness, it may be refused. To overcome this objection, the applicant could raise market research or other evidence to show that the trade mark is in fact distinctive for the respective services and/or goods contemplated by the application. Also, the applicant may limit or alter the classes for which the application is filed.

Descriptiveness

Similar to other jurisdictions, a trade mark that consists exclusively of signs or indications that may serve, in trade, to designate the kind, quality, quantity, intended purpose, value, geographical origin, or the time of production of the goods or services may be refused. To overcome this objection, the applicant could raise market research or other evidence to show that the trade mark is not descriptive because it has gained sufficient distinctiveness for the respective services and/or goods. Also, the applicant may limit or alter the classes for which the application is filed.

Generic terms

If a trade mark consists exclusively of signs or indications that have become customary in the current language or in the bona fide and established practices of the trade, it may be refused. To overcome this objection, the applicant could present market research or other evidence to show that the trade mark is not generic because it has gained sufficient distinctiveness for the respective services and/or goods. Also, the applicant may limit or alter the classes for which the application is filed.

Deceptive marks

Trade marks that are deceptive or likely to deceive the public, particularly concerning the nature, quality, or geographical origin of the goods or services, may be refused. To overcome this objection, the applicant could present market research or other evidence to show that the trade mark is not deceptive, because it has gained sufficient distinctiveness for the respective services and/or goods. Also, the applicant may limit or alter the classes for which the application is filed.

Shape of goods or their packaging

If the shape results from the nature of the goods themselves, is necessary to obtain a technical result, or gives substantial value to the goods, it may be refused registration. To overcome this objection, the applicant could present market research or other evidence to show that the trade mark has gained sufficient distinctiveness for the respective services and/or goods. Also, the applicant may limit or alter the classes for which the application is filed.

Contrary to public policy or to accepted principles of morality

Trade marks that are contrary to public policy or accepted principles of morality may be refused. This objection can be overcome by providing arguments or evidence demonstrating how the trade mark does not contravene these principles.

National emblems, official signs, and hallmarks

The use of national emblems, official signs, or hallmarks indicating control and warranty may be refused. This objection can be overcome by providing arguments or evidence demonstrating that the trade mark does not infringe upon these symbols.

Geographical indications and designations of origin

Trade marks that are identical to or likely to be confused with a registered geographical indication or a protected designation of origin may be refused. This objection can be overcome by providing arguments or evidence demonstrating that the trade mark is not likely to be confused with a registered geographical indication or a protected designation of origin.

The Netherlands is a party to the Madrid system. It does not provide for any specific additional requirements aside from holding a valid registration to base the international registration on.

Parties are permitted to file an opposition to a trade mark application within two (BOIP) or three (EUIPO) months of the publication of the trade mark application in the relevant register. There is no extension possible for this deadline. However, note that the filing of an opposition does not immediately require substantiating of the opposition. Upon expiration of the opposition period, the applicant and opposing party enter into a cooling-off period of two months to reach an amicable solution.

Opposition can be based on relative and absolute grounds, such as the similarity of the trade mark to existing trade marks, likelihood of confusion, lack of distinctiveness, or violation of earlier rights. It is also possible to base the opposition on dilution; ie, the “whittling away” of the distinctiveness of a trade mark that does not cause confusion.

Only the opponent that holds a trade mark registration or a licence thereto may file for registration. The opponent does not require representation for the opposition proceeding. 

Unlike in the US legal system, there is no discovery phase in the opposition procedure. It is the responsibility of each party involved in the opposition to present the relevant evidence. As such, the proceedings are ruled in a “closed universe” of evidence. While there can be a hearing as part of the opposition process, it is not a default or mandatory part of the procedure.

The parties can appeal the decision by the respective office within two months of the notification of the decision. The party files the appeal with the board of appeals of the respective office.

Amendment of the trade mark registration during the cancellation proceedings is not possible, since it is not possible to make material changes after registration of the trade mark.

Combining actions involving revocation/cancellation and infringement is only possible in cases heard before the civil courts. However, if the proceedings are initiated before the respective trade mark offices, it is not possible to bring a claim for infringement. In terms of timing, if the infringement and cancellation are handled in two different proceedings, the civil court may decide to stay a decision on infringement until the respective trade mark office has made a decision on the cancellation. However, the civil courts are under no strict obligation to do so.

The BOIP and EUIPO consider the filing of a trade mark application in bad faith (eg, fraudulently to thwart a competitor) as an absolute ground for invalidation. As a result, it is part of the initial assessment by the examiners of the respective offices. The investigation into a possible bad faith application will not formally suspend the application, but it is likely to prolong the application process. However, if the trade mark application makes it to registration, the cancellation must be requested by a third party (ie, not the office itself). If the applicant is found to have filed a trade mark application in bad faith, this will lead to the rejection of the application or the invalidation of the registration.

Both trade marks and copyrights can be fully or partially assigned. The procedures for assignment of a trade mark are different from a copyright, since copyrights are non-registerable intellectual property rights in the Netherlands.

For trade marks, the assignment requires a written agreement. This written agreement must stipulate the assigned rights and indicate the trade mark(s) this pertains to. The assignment agreement must be filed with the respective trade mark office in order to have a third-party effect; ie, if the assignment agreement is not filed, the assignment applies only between the parties to the assignment agreement and cannot be invoked against third parties. The respective trade mark office will examine the assignment agreement, and, if approved, record this assignment in the publicly available register.

For copyrights, the assignment agreement alone is sufficient, also for third-party effect. Since copyrights are non-registerable rights, it is particularly important to be as precise as possible about the subject matter assigned. If this cannot be determined with sufficient precision, then the assignment will not be valid.

Both trade mark and copyrights are transmissible upon death.

The procedures of licensing trade marks or copyrights are virtually the same as for assigning the rights thereto, as described in 6.1 Assignment Requirements and Restrictions. There are various possible licenses that can be granted. Parties are free to decide on this; eg, it is possible to enter into an exclusive licence, non-exclusive licence, sole licence, perpetual licence, or time-restricted licence. Licences can include archival rights as well.

The assignments and licences must be recorded with the respective trade mark office. If this is not carried out, the assignment or grant of licence does not have third-party effect, as explained in 6.1 Assignment Requirements and Restrictions. If there is a gap in time between the assignment or licence taking place and its recordation, this will not thwart the recordation, but the date of recordation will apply for purposes of third-party effect.

Claims of infringement must be brought within 20 years from the moment when they are first discovered. This statute of limitations will be renewed every time the infringer is notified of its infringement (ie, when the rights-holder asks the infringer to cease the infringement).

IPRED Enforcement Options

The legal claims available to trade mark owners and copyright holders are harmonised under the IPRED. Below are the key enforcement options outlined in the IPRED.

Injunctions (Article 9)

Rights-holders can seek injunctions to prevent any imminent infringement of their intellectual property rights.

Damages (Article 13)

The injured party has the right to claim damages for the actual loss suffered due to the infringement, as well as any profits that the infringer gained.

Corrective measures (Article 12)

Courts may order corrective measures, such as recall, destruction, or other similar actions, in relation to the infringing goods.

Publication of judgments (Article 15)

Court decisions, including judgments on the merits of a case, are published in order to enhance transparency and deter future infringements.

Preservation of evidence (Article 7)

Rights holders can request measures to preserve evidence relevant to the alleged infringement.

Information (Article 6)

Courts may order the disclosure of information necessary to identify the infringer and gather evidence.

Provisional and precautionary measures (Article 11)

Courts may grant provisional and precautionary measures to prevent an imminent infringement or to preserve relevant evidence.

Costs of enforcement (Article 14)

Courts can and most often will order the losing party to pay the reasonable and proportionate legal costs and other expenses incurred by the successful party. Note that these costs are substantially higher in comparison to losing a case in regular proceedings, but the Netherlands has maximised these costs contingent upon the difficulty of the case.

Trade Mark and Copyright Infringement

For trade mark infringement, the rights-holder must prove that there is either (i) use of an identical mark for identical goods or services; (ii) use of a confusingly similar mark for confusingly similar goods or services; or (iii) use of an identical or similar mark for different goods or services, but where the mark takes an unfair advantage of the reputation of the invoked trade mark.

For copyright infringement, the rights-holder must prove: (i) that they hold the rights (eg, in case of prior assignment, the chain of title); (ii) the scope of the copyright protection; and (iii) the infringement thereof by the other party.

In the context of Dutch and EU legal frameworks, the nuanced categories of infringement common in other jurisdictions, such as direct, contributory, or vicarious infringement, do not have direct equivalents. Instead, an action is simply classified as either constituting infringement or not.

These factors are briefly described in 7.2 Legal Claims for Infringement Lawsuits and Their Standards. For trade marks, these factors are established by statute. Where it concerns copyright infringement, the factors have been formed by case law.

While it is not formally required by law to issue a demand letter, warning letter or other type of notice before filing the lawsuit, it is against the disciplinary guidelines for Dutch attorneys as set out by the bar to do so. Unfounded claims or abuse of law are subject to tort liability. 

In principle, but subject to forum rules, all civil courts can hear trade mark or copyright claims. The costs that typically arise before filing a trade mark or copyright lawsuit will relate to advice, warning letters, collecting evidence, and negotiating with the (alleged) infringer. Parties need to be represented by an attorney in order to litigate a trade mark or copyright lawsuit. There are no restrictions as to the nationality or country of residence of the trade mark owner or copyright holder in bringing an infringement claim in the Netherlands.

An alleged trade mark or copyright owner may start declaratory judgment proceedings. There are no restrictions on the circumstances for this. A potential defendant should ensure it has enough evidence to support its claim to the trade mark or copyrights.

Claims under EUR25,000 are heard by small claims courts (kantonrechter).

The civil courts are bound by the decisions of the respective trade mark office.

Counterfeit marks are treated as a trade mark infringement, while copyright counterfeiting is treated as a copyright infringement. There are special procedures for counterfeiting and are dealt with by customs authorities pursuant to Regulation (EU) 608/2013 concerning customs enforcement of intellectual property rights (IPR).

Bootlegging is not specifically defined in legislation or case law, and is typically treated in the same manner as regular copyright infringement.

Trade mark and copyright proceedings follow the regular procedural rules as set out by the Dutch Code of Civil Procedure. These cases are not determined by technical judges and sometimes not even by a judge with expertise in intellectual property rights. The parties only have an influence on the decision-maker when they decide to engage in arbitration. Another Dutch alternative is the Netherlands Commercial Court, which does have specific expertise in intellectual property rights. However, this court is generally more expensive and must be chosen by mutual agreement.

The trade mark registration owner is presumed to hold the rights thereto. However, in case of copyrights, this must be proven by the party asserting such rights. Whether the alleged infringer must be using a mark for the same goods and services as those listed in the registration is contingent on the claim for infringement as explained in more detail in 7.2 Legal Claims for Infringement Lawsuits and Their Standards.

The typical cost of bringing a trade mark or copyright infringement action to conclusion in first instance are EUR40,000-50,000. Factors such as extensive negotiations with the counterparty, the size of the infringement, the legal complexity of the case, and the amount of evidence can impact the expected costs.

As defences against trade mark infringement, defendants can claim:

  • that they are using their own name and/or address in the allegedly infringing mark in trade;
  • that the signs or indications are not distinctive or concern the kind, quality, quantity, intended purpose, value, geographical origin, the time of production of goods or of rendering of the service, or other characteristics of the goods or services;
  • that the trade mark is used for the purpose of identifying or referring to goods or services as those of the proprietor of that trade mark, in particular, where the use of that trade mark is necessary to indicate the intended purpose of a product or service, in particular as accessories or spare parts;
  • that the use is in relation to goods that have been put on the market in the European Economic Area under that trade mark by the proprietor or with his or her consent; or
  • that the mark they are using applies to an earlier trade name right, which overrides the later registered trade mark. 

Limitations of Copyright Protection

The limitations of copyright protection are set out below.

Duration of copyright protection

Copyright protection is time-limited. In the Netherlands, as in many other jurisdictions, the duration of copyright protection is finite. Typically, it lasts for the lifetime of the author plus a certain number of years (70 years in the EU).

Limited fair use and exceptions

The Netherlands has limited limitations and exceptions to copyright known as “fair use” or “fair dealing”. These exceptions allow for the use of copyrighted material for purposes such as criticism, review, use by handicapped people, use in artworks, news reporting, education, research, and parody. When analysing the use of copyrighted material for parody, several factors are considered:

  • The essential characteristics of parody must be present, namely the imitation of an existing work with noticeable differences, coupled with elements of humour or mockery.
  • There is no requirement for a parody itself to be a work protected under copyright law.
  • The parody does not need to be about the work it imitates or its creator.
  • There is no obligation to mention the source of the original work in the parody.

Finally, a just balance must be struck between copyright and freedom of expression, based on the circumstances of the case.

Public domain

Works in the public domain are not protected by copyright. In the Netherlands, works may enter the public domain if the copyright has expired, if the author has explicitly waived their rights, or if the work was never eligible for copyright protection.

Private copying

Some jurisdictions allow for private copying of copyrighted material for personal use. In the Netherlands, there are provisions for private copying, and a private copying levy may be applied to certain media and devices.

Quotation right

The Dutch copyright law includes a provision for “quotation rights”, allowing the use of short excerpts from copyrighted works for purposes such as criticism or review, as long as proper attribution is given.

Educational use

There are exceptions for the use of copyrighted material in an educational context, allowing for certain uses of copyrighted material for educational purposes.

Orphan works

Orphan works are works whose copyright owner cannot be identified or located. Some jurisdictions have provisions that allow for the use of orphan works under certain conditions.

Government works

Works created by the Dutch government or public authorities may not be eligible for copyright protection or may have limited protection.

Unlike the “fair use” doctrine found in some legal systems, Dutch and EU copyright laws operate under a closed list of exceptions. This means that factors allowing the use of copyrighted works without permission are narrowly defined by EU legislation and implemented by Dutch law. This approach provides clear guidelines but raises questions about the relationship between copyright restrictions and fundamental rights like free speech. Moving forward, case law will be key in defining the boundaries between copyright protection and free expression.

A trade mark is exhausted when products containing the trade mark are first put on the market within the European Economic Area and with the consent of the trade mark owner, unless there are legitimate reasons to object to the use after exhaustion (for instance, when conditions of the products have changed or are impaired).

The further selling of a copyright-protected work after the first sale on the market within the European Economic Area and with the consent of the copyright holder will also lead to exhaustion of the copyright holder’s rights to that copy. This also applies to e-Books and software licences without a limitation in time. However, this does not apply to the renting or loaning of such a copy.

Trade mark or copyrights owners can start preliminary proceedings to request injunctive relief. Such injunctive relief can include an interlocutory injunction, product recall, further information on the infringement, such as other selling parties and the number of products sold. In addition, it is also possible to request a precautionary seizure. The court must decide whether the claim is likely to succeed in the substantive proceedings. If so, the court has a reasonable discretion to grant the preliminary relief as requested. The Netherlands does not require a bond to obtain an injunction. However, if the injunction is later overruled in appeal or proceedings on the merits, the defendant could claim damages as a result of this injunction.

Trade mark or copyright owners may be compensated for lost profits. The court may decide to calculate this amount based on the size of the infringement. However, it may also decide to set the damages as a lump sum on the basis of elements such as the amount of royalties or fees that would have been due if the infringer had requested authorisation to use the trade mark or copyright.

There are no specific rules or restrictions on the type and/or amount of damages awarded, as this is highly contingent on the facts and background of the case. No distinction is made as to whether or not the intellectual property rights are registered.

The losing party will generally be required to pay the cost of litigation for trade mark and copyright claims, including court fees, expenses, and attorneys’ fees. This also includes the reimbursement of the prevailing party’s attorney’s fees up to an amount determined by the judge based on the predetermined “indicated tariffs” (Indicatietarieven) depending on the complexity of the relevant case.

It is not possible for a trade mark or copyright owner to seek relief without notice to the defendant.

Customs Procedures

In the EU, including the Netherlands, customs procedures for the seizure of counterfeits and parallel imports are governed by EU regulations. The primary regulation in this regard is Regulation (EU) No 608/2013 concerning customs enforcement of intellectual property rights.

Under this regulation, intellectual property rights (IPR) holders, including trade mark and copyright owners, can take advantage of customs procedures to protect their rights. The process typically involves the following steps:

Application for Action (AFA)

The trade mark or copyright owner must submit an AFA to the customs authorities in the EU member state(s) where they seek protection. This application provides details about the intellectual property rights, including relevant trade marks or copyrights, and describes the genuine products.

Customs monitoring

Once the application is accepted, customs authorities will monitor incoming and outgoing shipments for potential infringements. This includes goods in transit through the EU.

Notification of suspected goods

If customs officials suspect that goods entering or leaving the EU infringe intellectual property rights, they shall notify the rights-holder and provide an opportunity to confirm whether the goods are counterfeit or unauthorised parallel imports.

Detention and seizure

If the rights-holder confirms the infringement, customs officials can detain or seize the goods. In some cases, the rights-holder may be required to initiate legal proceedings to determine the infringement.

It is important to note that these procedures are generally cost-effective and efficient for rights-holders. However, the rights-holder must actively pursue enforcement by co-operating with customs authorities and, if necessary, initiating legal actions.

An appeal for trade mark or copyright infringement decisions is possible. These procedures follow the regular proceedings before the civil courts as set out by the Dutch Code of Civil Procedure.

An appeal from a trial court decision must be filed with the appellate court within three months of this decision. For an appeal to be decided, the typical timeframe is between 9-12 months.

The emergence of artificial intelligence is still under scrutiny from legislators in the Netherlands as well as in the EU. The EU Artificial Intelligence Act is the first official attempt to regulate new technologies such as generative AI. As of now, there has been considerable speculation and theoretical exploration in legal and academic literature regarding AI, but a lack of established case law in this area means there is still uncertainty about how various legal issues related to AI will be resolved. Please also refer to our Trends & Developments article.

Under the DSA, intermediaries are exempt from liability for the following three activities:

  • mere conduit services; ie, transmitting messages or information to certain recipients or providing access to a service;
  • caching services; ie, involving the automatic, intermediate and temporary storage of that information, performed for the sole purpose of making more efficient the information’s onward transmission to other recipients upon their request; and
  • hosting without any active monitoring.

The rules on such uses are rapidly expanding with the EU Artificial Intelligence Act, Data Act, and other legislative initiatives.

Greenberg Traurig, LLP

Beethovenstraat 545
1083 HK Amsterdam
The Netherlands

+31 651 289 224

+31 20 301 7350

radboud.ribbert@gtlaw.com; wouter.vanwengen@gtlaw.com www.gtlaw.com
Author Business Card

Trends and Developments


Authors



Greenberg Traurig, LLP is an international law firm with approximately 2,750 attorneys serving clients from 48 offices in the United States, Latin America, Europe, Asia and the Middle East. The practice in Amsterdam is built around IP specialist Radboud Ribbert. The team frequently advises and represents companies and individuals on matters involving European IP law, such as patent rights, trade mark rights, neighbouring rights and copyrights.

Introduction

The interplay between innovation and intellectual property (IP) rights is becoming increasingly complex as new technologies reshape industries. From AI training data to the boundaries of referential trade mark use, recent developments highlight the challenges of balancing creativity, commerce, and legal protections.

Key areas of focus include the impact of the EU Artificial Intelligence Act (EU AI Act) on copyright compliance in AI model training, recent rulings on the permissible scope of trade mark use, and expanded copyright protections for international applied art under EU law. These changes illustrate the evolving legal landscape and its implications for creators, companies, and consumers.

This discussion examines these issues, offering insights into the regulations and decisions shaping the future of IP in a rapidly advancing technological era.

Using Existing Works for Training Your AI Model

AI’s process of learning mirrors human knowledge acquisition, such as reading a book or listening to music, which are generally unregulated if there is no direct copying. However, unlike humans, AI training is controlled and involves processing vast amounts of data, potentially accelerating innovation but raising concerns about intellectual property (IP) rights. The critical regulatory challenge is determining how far machine learning should be restricted to uphold copyright protections.

With the entry into force of the EU AI Act, companies involved in training AI models need to carefully evaluate the datasets they use, as certain copyright-protected works may no longer be available for this purpose. The EU AI Act contains a provision that equates AI/machine leaning with “text and data mining” (TDM) under the EU Text and Mining Directive. Consequently, “machine learning” is allowed, provided that the developer of the machine learning functionality had “lawful access” to the content “for the purpose of text and data extraction” and the owner of the respective copyrights in the content did not expressly reserve the extraction of text and data (ie, the “opt-out mechanism”).

Although the process for submitting valid opt-out requests is unclear, organisations like the Dutch organisation Pictoright (visual art – see also below) and the French organisation Sacem (music) have developed rights reservation statements to prevent their works from being used in AI training. Similar opt-out notices are also appearing on websites and social media content.

While no definitive legal precedents exist to validate these opt-out statements, their usage is expected to increase following the EU AI Act’s implementation. This regulation highlights the growing effort to balance AI innovation with the protection of intellectual property rights.

AI system providers and developers should consider implementing measures and configurations to avoid infringement claims by rights-holders. Below are four additional considerations:

  • in the process of web scraping or reviewing pre-built datasets, confirm whether the content used for machine learning purposes is subject to access restrictions, such as a paywall or other (technical) restrictions;
  • consider verifying that the rights-holders have not reserved the right to make reproductions for TDM purposes by, for example, searching collective rights organisations’ websites to see which works include the opt-out criteria;
  • include the necessary contractual protections (two types of agreements are of particular relevance in terms of machine learning, namely (i) agreements with the owner of the dataset on which the AI model is trained and (ii) agreements with the customer of the AI model; in both cases, consider creating an agreement with a fair and balanced distribution of liability regarding inadvertent use of opted-out copyright-protected works); and
  • for copyright-protected content that may be used for TDM purposes, consider implementing technical and organisational limitations on the use of the content to ensure it is only used for training the AI model.

Regulating Deepfakes as Copyright or Neighbouring Right

Deepfakes are a specific use of artificial intelligence, whereby the technology is used to create highly realistic AI-generated audio, video, or images. The use of deepfakes creates issues for rights-holders of copyrights and neighbouring rights of the original works that the deepfakes are based on. For instance, deepfakes frequently rely on content protected by copyrights or neighbouring rights as training data or as a component of the generated output. This use sparks a regulatory debate regarding whether such use is permitted without the rights-holders’ consent. In addition, deepfakes give rise to other questions, such as who should be considered the owner of the resulting content and whether the deepfakes lead to misappropriation of identity when the deepfakes replicate the likeness of individuals for commercial use.

In addition to the opt-out rights discussed above, rights-holders may soon have an alternative way under Dutch laws to protect their position when companies create deepfakes by means of a proposal for a new law.

The Dutch Secretary of Justice’s note, published on 15 October 2024, details the proposed Strengthening Authors’ Contract Law (ACR 2). This bill builds on the 2015 ACR law, enhancing authors’ bargaining power and addressing new challenges, such as the protection of heirs and the threat of deepfakes. It introduces collective bargaining power for authors, supported by industry platforms, and responds to AI’s impact on copyright. The proposal is expected to gain strong parliamentary support. Further updates are planned five years after implementation.

Expansion of Permitted Referential Use Coming to a Halt

Under EU law, referential use of a trade mark is permitted under certain conditions, particularly when it is used to identify or refer to the goods or services covered by the trade mark. The standard for applying this exception was previously very high. The referential use had to be deemed necessary, meaning it was the only way to provide the public with clear and complete information about the purpose of the underlying product, in order to preserve free competition in the market for that product.

However, in the recent Court of Justice EU decision in Inditex v Buongiorno (11 January 2024), the threshold for this necessity was significantly lowered. The CJEU ruled that necessity is just one reason for allowing referential use, without establishing clear boundaries for what qualifies as permitted referential use. The trend in recent court decisions appears to favour referential use.

A notable example in the Netherlands is the Dutch Supreme Court ruling in the Jiskefet case, involving a popular Dutch comedy group. In this case, the alleged infringer had created an encyclopedia titled after Jiskefet. The trade mark holders of the name “JISKEFET” sued for unauthorised use. However, the Dutch Supreme Court ruled that there was no infringement, as using the name was the only way to clearly indicate that the encyclopedia was about Jiskefet.

However, in the same month as the Inditex v Buongiorno case, the CJEU placed important guardrails on the expansion of referential use.

Audi v GQ (CJEU, C-334/22) centres on the question of whether the use of a trade mark for spare parts can be considered “referential use”, an exception under Article 14(1)(c) of the EU Trade Mark Regulation. The case involves GQ selling non-original radiator grilles for vehicles that bear a design similar to the Audi trade mark, particularly designed to affix the Audi emblem.

In its judgment, the CJEU ruled that such use does not qualify as referential use. The court emphasised that referring to a trade mark as part of a spare part does not fall within the permissible scope of referential use if the purpose is to sell or promote the part as a standalone product, not just to identify its purpose or compatibility with the original vehicle. The ruling marks a distinction between use for identification (like referring to a product’s function or origin) and using the trade mark in a way that could confuse consumers about the product’s source or authenticity.

This decision underscores that while certain forms of referential use are allowed under EU trade mark law, using a trade mark merely to indicate the compatibility of a third-party product (like a car part) does not always meet the criteria for such use. The ruling further clarifies the limits of referential trade mark use, particularly in industries like automotive spare parts, where such use is often contested. 

Copyright Expansion for International Works of Applied Art

The Court of Justice of the European Union (CJEU) has ruled in the Kwantum v Vitra case (24 October 2024), marking a significant shift in EU copyright protection for applied art originating outside the EU. The ruling clarified how works of applied art are protected under EU law, overriding the “material reciprocity test” in favour of harmonised copyright protection.

Vitra Collections (a Swiss company) claimed that Kwantum’s “Paris Chair” infringed its copyright for the DSW chair, designed by Charles and Ray Eames in the USA (not protected by copyright in the USA). A Dutch lower court ruled in favour of infringer Kwantum, but the Court of Appeal overturned this, siding with plaintiff Vitra. Kwantum then appealed to the Dutch Supreme Court (Hoge Raad), arguing that the Court of Appeal improperly applied the “material reciprocity test” under Article 2(7) of the Berne Convention. This prompted the Hoge Raad to seek clarification from the CJEU on the test’s compatibility with EU law.

The CJEU confirmed that copyright protection for applied art under Directive 2001/29 does not depend on the work’s origin or the author’s nationality. A work classified as a “work” under EU law must receive copyright protection across all member states, regardless of whether it is protected in its originating country.

The material reciprocity test was deemed incompatible with Directive 2001/29, as it undermines the goal of harmonised copyright protection within the EU. Allowing member states to apply the test would create inconsistent treatment of applied art across the EU.

Member states cannot impose limitations on EU copyright protections, such as applying the reciprocity test, unless explicitly authorised by EU law. Any limitations to intellectual property rights under the EU Charter of Fundamental Rights must be legislated by the EU itself.

The CJEU ruling eliminates the applicability of the material reciprocity test to works of applied art in EU countries, ensuring that such works originating outside the EU can claim copyright protection if they meet EU standards. This development expands the scope of copyright protections within the EU, benefitting creators from countries with stricter copyright regimes.

Class Action Lawsuits Against Big Tech

In recent years, there has been a rising trend of class action lawsuits targeting Big Tech companies over issues related to copyright infringement, data privacy, and unfair business practices. These legal challenges are increasingly highlighting the power imbalance between tech giants and individual creators or consumers.

One such case is currently before the Amsterdam District Court, where Meta’s efforts to negotiate a licensing agreement with the Dutch organisation Pictoright, a copyright organisation representing visual creators, are being scrutinised.

In an interim judgment, the Amsterdam District Court assessed Meta’s efforts to establish a licensing agreement with Pictoright. Pictoright claimed that Meta infringes on the copyrights of its members by exploiting their works on Facebook and Instagram without authorisation. Pictoright sought a declaration that Meta is liable for damages and must pay an appropriate licensing fee.

The court concluded that both Facebook and Instagram qualify as online content-sharing services under Article 29c of the Dutch Copyright Act (Auteurswet). These platforms focus on storing and making accessible a large volume of user-generated literary, scientific, or artistic works to the public, while organising and promoting such works for profit. Based on this classification, the court must determine whether Meta made its best efforts to negotiate a licensing agreement with Pictoright.

Meta proposed to assess the economic value of Pictoright’s repertoire using a data discovery method. However, Pictoright disputes the reliability of this method and refuses further co-operation. The court found that Meta’s proposed method lacks sufficient transparency and verifiability for Pictoright. Pictoright does not have insight into how the method operates and must conduct manual research to verify its results. Since the manual results obtained by Pictoright differ from those generated by Meta’s tool, Pictoright understandably declined to continue negotiations.

The court emphasised that a licensing agreement must reflect the economic value of the rights in the marketplace, ensuring fairness and a reasonable balance between the parties. To evaluate the suitability and transparency of Meta’s method, the court decided to involve independent experts. If it is determined that Meta has not made its best efforts to negotiate a licensing agreement, the company could be held liable for damages.

Until the experts submit their findings, the court reserves its decision on compensation. The case is referred for further procedural steps, with Meta required to provide additional clarification about its method. Both parties may also submit comments on the questions to be posed to the experts. After the experts’ report, the parties will have another opportunity to negotiate a licensing agreement. If negotiations fail, the court will issue a final ruling as needed.

Notable Cases in Brand Protection

Below, we discuss notable rulings in the past year with important implications for brand protection.

Building blocks battle: infringement injunction granted in case Lego et al. v Wibra

Lego sued Wibra for selling flower and animal models made from building blocks similar to Lego’s products, which were also marketed as “Lego flowers” on social media. Lego claimed that Wibra was infringing its trade mark, design, and copyright rights, and accused it of slavish imitation. The Hague District Court rejected Wibra’s challenge to the validity of Lego’s design rights, noting that Wibra did not adequately dispute these rights. The court found the designs too similar to Lego’s to be distinguished by an informed user and ruled that Wibra’s actions infringed on Lego’s trade marks. Consequently, the court issued an injunction, ordered a recall of the infringing products, and imposed penalties on Wibra for non-compliance.

“Champagne” may be used as colour indication for clothing despite protected designation of origin

The Comité interprofessionnel du vin de champagne (CIVC), a French organisation responsible for protecting the term “Champagne”, brought a case against Ferminadaza, a subsidiary of US company Cult Gaia. The issue arose when Dutch customs intercepted a shipment of Cult Gaia dresses bound for Ferminadaza, which featured the word “Champagne” on labels and packaging as a colour description. CIVC argued that this violated the protected origin designation of Champagne, which can only be used for wines from the Champagne region in France.

Although Ferminadaza agreed to remove the word “Champagne” from the labels, they did not commit to not using it in the future. CIVC sought a court order to prevent further use of the term. The court ruled in favour of Ferminadaza, stating that using “Champagne” to describe a colour for clothing did not violate the origin designation, as the term has long been used as a colour reference in the fashion industry, and consumers would understand it as such. Additionally, the court noted that the term “Champagne” in the context of clothing is not associated with a guarantee of quality, as it is with the wine. Therefore, CIVC’s claim was dismissed for now.

Perfume offered virtually does not automatically correspond to equivalent offered physically – no risk of confusion

In July 2023, Artessence FZC filed an opposition against Vinicio SRL’s trade mark, arguing it caused confusion, particularly in relation to their products in class 3 (perfume, cosmetics) and class 4 (candles). While the EUIPO found similarities between the physical products, it ruled that Vinicio’s virtual goods sales did not overlap with Artessence’s products due to different distribution channels. The court noted that both trade marks sounded similar for French-speaking EU consumers, leading to confusion. As a result, the opposition was partially upheld, allowing Vinicio to continue selling only virtual goods under its trade mark.

Greenberg Traurig, LLP

Beethovenstraat 545
1083 HK Amsterdam
The Netherlands

+31 651 289 224

+31 20 301 7350

radboud.ribbert@gtlaw.com; wouter.vanwengen@gtlaw.com www.gtlaw.com
Author Business Card

Law and Practice

Authors



Greenberg Traurig, LLP is an international law firm with approximately 2,750 attorneys serving clients from 48 offices in the United States, Latin America, Europe, Asia and the Middle East. The practice in Amsterdam is built around IP specialist Radboud Ribbert. The team frequently advises and represents companies and individuals on matters involving European IP law, such as patent rights, trade mark rights, neighbouring rights and copyrights.

Trends and Developments

Authors



Greenberg Traurig, LLP is an international law firm with approximately 2,750 attorneys serving clients from 48 offices in the United States, Latin America, Europe, Asia and the Middle East. The practice in Amsterdam is built around IP specialist Radboud Ribbert. The team frequently advises and represents companies and individuals on matters involving European IP law, such as patent rights, trade mark rights, neighbouring rights and copyrights.

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